Truly "La Maestra". A fantastic coach.

Highly recommended, amazingly helpful.

BARBARA HANNIGAN

An actual School of Singing.
A form of mental hygiene that allows access to the very heart of Singing.
RENATO CADEL

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Linguistic genius. Almighty for vowel purity.

PETER TANTSITS

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Language, music, characters brought to life. Results of the very highest quality.

PAUL NILON

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Invaluable: the simplicity of Sara's approach allows the communication of the text to be at the forefront of your mind, and helps you to feel like you are really inside of the music.
LIBBY SOKOLOWSKI

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Next-level help. I leave after one hour feeling LESS vocally tired. Impossible to articulate how valuable her work is to make a role really succeed on stage.

ARIADNE GREIF
 

Sara's teaching of lyric diction is so closely wed to well connected, legato vocalism, that I end up singing with better technique every time we meet.
ANDREW NOLEN

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A new role doesn't go on stage if Sara hasn't worked with me on it. 
JENNIFER ROWLEY

Deep knowledge of the repertoire; excellent insights into the musical phrasing and the dramaturgy; plenty of tools to work on your own as well!
ANGELOS SAMARTZIS

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Magic keystone of vocal technique, musical interpretation and building of the character.

A radical rethink of the act of singing.

ANNA PIROLI

 

Incredible breadth of knowledge.

After we work I feel entirely prepared.

HEATHER LOWE

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She opened up my voice, and a world.

GIULIA ZANIBONI

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Entirely devoted to the art of Opera singing.

IDA FALK WINLAND

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Professionalism and thorough preparation.

MARIE KUIJKEN

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Truly holistic approach, method and technique.

CHRISTIANA ALONEFTIS

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A 180° turn in my work with the singers.

THEOPHILOS LAMBRIANIDIS

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A lifeboat, a light-bearer carrying the torch of finest Italian Opera.

NATHANIEL KONDRAT

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Like four experts in one. 

Taking all those elements and creating a single intention.

YISELLE BLUM

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Patience, professionalism, listening.

I now feel alive and present when I sing.
MADDALENA DE BIASI

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She teaches phrasing, and a cure and respect of the music and the words’ musicality, in a way that can be learnt so deeply nowhere else in the world.

MATILDE BIANCHI

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Enlightening; professionally and humanly.

CLARA LA LICATA

 

Truly unique method; and insights.

JASMINE LAW

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Brings life to operatic drama.

MARIA SANNER